Wavular

Sharpie on paper. That's it. I don't want to get carried away with colors and canvases and specialty drawing tools. Stuff turns into more stuff, art gets overly stuffy, and nobody can relax. I want people to relax. To feel air, space, and comfort.

Keeping my drawings simple is one way to say, "Hey, you don't have to have a lot to be a lot." http://www.flavors.me/wavular

Tagging walls.

Wavular21

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My first show in Seattle was at Vermillion in the eclectic Capitol Hill neighborhood where we lived. It was a relatively new space, but looking for new works by people who were into creating by hand.

I know that sounds a little crazy (but wait, it's art, right? Isn't it all done by hand?) Kind of. But the overdigitalization of works in other parts of town in galleries in tech-centered Seattle was getting out of hand. Meeting Vermillion was gold.

I tagged a wall and called it "Wavular." A month later, I registered this domain.

The show up for a month, in March 2008. See more at this post over on my other blog, Design Kompany.

http://www.design-kompany.com/work-done/1373/

First Sharpie debut: installation in Seattle art gallery 2008

This was the first show for my Sharpie art. I called it "Wavular," and it was an installation at Vermillion Gallery in March 2008.

http://www.design-kompany.com/work-done/1373/

Video!: DK Sharpie art debuts in Durham

Sold one of the three Sharpie drawings at opening night for a Durham Arts Council show called "People You May Know: Contemporary Portraits." The big event unfolded October 15, 2010.

More about the how and why of this show is posted at our blog, http://www.design-kompany.com/news-at-dk/2962/

4 stills from a short on "People You May Know" opening @durhamarts

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It was excellent to be included as an exhibiting artist at what looks like it may have been one of Durham Arts Council's biggest parties ever.

Dipika's Sharpie drawings got a lot of wonderful attention, thanks in part to some news coverage in the Herald Sun and the News & Observer about the nature and newness of this curated portrait collection. See the links below.

Well done to Durham Arts Council for making possible a night of: magic, diversity, reconnections, new connections, true community, and art appreciation.

Look for a recap at http://www.designkompany.com! And a 2-minute short on the event, is coming soon, too.

In case you missed it, here are the press previews:
http://dukechronicle.com/print/153193

http://www.heraldsun.com/view/full_story/9905168/article--PEOPLE-YOU-MAY-KNOW...

http://www.thedurhamnews.com/2010/10/12/203953/new-show-a-first-for-durham-ar...

http://www.thedurhamnews.com/2010/10/06/203864/get-to-know-people-starting-fr...

http://www.indyweek.com/indyweek/people-you-may-know/Event?oid=1666560

@newsobserver previews "People You May Know" show

Last night's opening easily attracted more than 500 people from the Raleigh-Durham community: friends, artists, people who are patrons of the Durham Arts Council, and just those who found it curious to check in. Reading about it in the papers ahead of time helped draw the crowd. 

Speaking of those articles, here are two that provide a sense of the "why" behind the show. The second one is by DAC's Barclay McConnell, who curated "People You May Know: Contemporary Portraits."

New show a first for Durham Arts Council
BY VIRGINIA BRIDGES, Correspondent

Dipika Kohli used a black Sharpie and long strips of white paper to portray three strong women who engraved their path in history by breaking gender barriers and other social norms.

Here's the whole article: http://www.thedurhamnews.com/2010/10/12/203953/new-show-a-first-for-durham-arts.html

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Get to know 'People' starting Friday
by Barclay McConnell

What is a portrait?

In the visual arts, a portrait is defined as a likeness of a person that is painted, drawn or engraved, often painted from real life and focusing on the face.

Viewing portraits in an art gallery or museum space is a very intimate experience in a world that is increasingly global, digital and isolating. 

Here's the full article: http://www.thedurhamnews.com/2010/10/06/203864/get-to-know-people-starting-friday.html

@heraldsun writes up 'People You May Know': show opens TONITE @durhamarts council!

Checkit! Cliff Belamy's article is here:

DURHAM -- A new exhibit now on view at the Ackland Art Museum in Chapel Hill ("Counterlives," "Big Shots: Andy Warhol Polaroids" and "Enduring Likeness") asks viewers to ponder the history and purpose of portraiture, through portraits of political leaders, famous people and the not so famous.

Read more: The Herald-Sun - People You May Know show in the Herald Sun http://www.heraldsun.com/view/full_story/9905168/article--PEOPLE-YOU-MAY-KNOW...

5 more installation pix 4 "People You May Know"

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New! 2 preview pics of installation for "People You May Know" at DAC

Durham, NC -- Curious about "People You May Know: Contemporary Portraits"? The opening reception is Friday, Oct. 15 at Durham Arts Council. Three new Wavular Sharpie drawings will be part of the show. A total of 8 artists are exhibiting portrait works. This is Wavular's first time making portraits, and it's cool to be invited to be part of this event. More than 500 people expected! OMG! 

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Why I picked Kreps, Price and Murray for DAC series "Three Women Firsts"

It's not until you sit down to write for publication that you realize what makes a subject important to you. 

Here's what I just sent in about my series--Three Women Firsts-- for the Durham Arts Council show that opens tomorrow: 

Why this series

Dipika Kohli created this series of “women firsts” to recognize the remarkable work Ethel Price, Juanita Kreps and Pauli Murray did to inspire other women to rise to their fullest potential.

Rooting through the history section of the Durham Public Library, Dipika found a book chronicling the history of Watts Hospital. Dipika first arrived in Durham in 1991 to attend the North Carolina School of Science & Mathematics, which was converted from Watts Hospital, so immediately she was intrigued. Ethel Price’s story defined the theme. Here was a woman bent on achieving her personal goals, despite societal mores of her time that kept most men at work and women at home. Like Price, Juanita Kreps and Pauli Murray also questioned the notion that it was a given for women to stay at home. They attained posts of such prominence in their careers that they set clear examples for other strong, capable women who might otherwise have rested their ambitions.

Dipika returned to Durham this spring after 10 years in Seattle and Southwest Ireland, where she developed her artistic voice. "I like to keep things simple and uncluttered," she says. "I draw with really basic materials. Marker. Paper. To tell the truth, I think people overconsume. Keeping my drawings simple is one way I can say: 'Hey, you don’t need to have a lot to be a lot.’ So I’m in pursuit of a modern aesthetic of beauty. I look for what emerges in the distillation. In the clutter reduction. And the attenuation of noise.” She has shown her large-scale Sharpie drawings also at the Seattle galleries Form/Space Atelier (2009) and Vermillion (2008).

Pauli Murray 

Pauli Murray was a lawyer, educator, writer, and the first African American woman to be ordained as an Episcopal priest in 1977. Murray lost her parents in her early years, and was raised by relatives in Durham. Entering the priesthood was a way for her to challenge sexual discrimination in the Episcopal Church. But this was only one of her many achievements. Murray received law degrees from Howard University and University of California, and worked as a deputy attorney general of California in the 1940s. She worked in private practice before going for a doctorate in law at Yale University. She finished in 1965, making history by becoming the first African American to be awarded a J.D.S. degree from the university. Almost a decade later, she earned another degree, this time a master’s degree of divinity, from Yale. After becoming ordained, she served in churches in Washington, D.C., Baltimore, and Pittsburgh until her retirement in 1984.

Juanita M. Kreps

Juanita M. Kreps was a prominent economist who grew up in a poor Kentucky coal-mining community. During what would be an illustrious career, she rose to the highest level of government, becoming the nation's first female commerce secretary. This was when Jimmy Carter was president. Dr. Kreps, a Duke University professor who specialized in labor demographics of older people and women, said that she did not consider herself a women's liberationist. But throughout her career in business, academia and government, all spheres traditionally dominated by men, she repeatedly broke gender barriers and campaigned to improve women's opportunities for meaningful employment outside the home. She died July 5, 2010, in Durham, N.C.

At a televised news conference with Carter after he named her commerce secretary in 1976, she was asked to respond to the President-elect's claim that it had been difficult to find qualified women to fill Cabinet posts.

"I think it would be hard to defend the proposition that there are not a great many qualified women," she said. "We have to do a better job of looking."

Carter smiled, then said, "I think she said she disagrees with me."

Ethel (Clay) Price

Ethel Clay was born on October 2, 1874, in New York City, the daughter of Henry de Bois-fueillet Clay and Harriett Field Clay. After graduation from Notre Dame Academy in Baltimore, Maryland, she entered the Watts Hospital Training School for Nurses in 1895, alongside four other young women. She alone completed the work of her class to become the first Watts graduate in 1897. 

As a charter member of the District Nurse and Relief Society, she also served as an advocate for proper patient care for low-income individuals suffering from tuberculosis. From this society stemmed the Greensboro Nursing Council, the Guilford County Sanitarium, and much of the city’s extensive health program. Price died on October 26, 1943.

4 more pix from BTFL SIMPL

Fun to look back at this show's album, because I met some great people. The whole documentation, including what it felt like to: a) get a star in The Stranger's art listing, and b) be informed that art critic Jen Graves stopped by, checked it out, and signed my guestbook.

http://www.designkompany.com/simple

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